THE SUICIDE SQUAD

It’s clear pretty early on in The Suicide Squad that James Gunn’s standalone sequel is not only aiming to fix all the wrongs of David Ayer’s polarizing 2016 original, Suicide Squad (without the “The”), but is successfully doing so. Though Ayer shouldn’t bear all the burden of guilt for his own film’s shortcomings since the studio practically set him up to fail by giving the hard-R director a premise ripe for blood and violence, yet constraining him to a PG-13 rating. The limitations forced the writer-director to focus more on the emotional weight of villainsturned-heroes rather than playing in the sandbox that is “psycho villain protagonists.”

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