Saint-Saëns 1909 interview: My royal pardon

#x3C;strong>From the classical archive, 27 April 1909</strong>: Camille Saint-Saëns tells the Observer why he has Queen Alexandra to thank for the lifting of a ban on productions of Samson et Dalila

The Esoteric Curiosa: 2013/05/06

The metropolis

James Johnston – Page 5 – Margaret Ruthven Lang

1932-1933 Peru Pedagogian Issues 1-27 by Peru State College Library - Issuu

T.S.Eliot

dime-server/dime-personalserver/dime-datamining/src/main/resources/gate/plugins/ANNIE/resources/heptag/lexicon_cap at master · dime-project/dime-server · GitHub

Hoopla In Harlem! The Renaissance of African American Art and Culture: A Rhetorical Criticism of Artists as Social Activists dur

HBD - Spring 2023 Classics & Jazz Catalog by Naxos of America - Issuu

Bedouins Project Gutenberg

Jann Pasler-Writing Through Music - Essays On Music, Culture, and Politics-Oxford University Press, USA (2007), PDF, Postmodernism

Calaméo - TASTED 11 / winter 2010

Church, State and an Operatic Outlaw: Jules Massenet's Hérodiade, Cambridge Opera Journal